Episodes 11-15
Andrew York
Dr. Walter Aaron Clark (Musicologist)
Benjamin Woods
AKGI Duo
Paul O'Dette
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Episode 15 - Andrew York
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I had a great chat over some of my almost-as-good-as-Scott-Tennant's espresso with the Grammy-winning guitarist and composer Andrew York. We talked about a whole series of interesting topics, and you will have the chance to hear lots of new music from his recently released double album Yamour. Andrew shared his thoughts on playing and composing with the Los Angeles Guitar Quartet and a bit about the origins of his piece Sunburst, such as how it ended up on one of the landmark records of the classical guitar repertoire: John Williams's album Spirit of The Guitar. He also gives some invaluable advice to those amateur composers out there, gives a glimpse into his compositional process, shows his incredible appetite for surprisingly varied creative avenues, and even talks about art and software programming. Enjoy! |
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For those of you out there that want music, and probably guitar, to be part of your primary career path, but are looking into alternatives to being a touring concert artist or teacher music history might be the way to go. Walter is a great example of this career choice, as he has been able to maintain his connection to the guitar world by writing about many classical guitarists’ most beloved composers. On the show today Dr. Clark will discuss the life of a guitarist-musicologist, we will hear some interesting history about Albeñiz’s piece, which is incorrectly titled Asturias (Leyenda), and for those of you who love Spanish music but a little tired of the same old repertoire, Walter gives us some suggestions for new transcriptions and arrangements in the substantial repertoire of Spanish light opera, Zarzuela. If you prefer to download a copy of the show,
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Episode 14 - Dr. Walter Aaron Clark Musicologist
Let me introduce you to musicologist and classical guitarist Dr. Walter Aaron Clark. Dr. Clark is the founder and director of the Center for Iberian and Latin American Music at the University of California, Riverside, where he is currently on the faculty. Additionally Walter is an accomplished guitarist, holding bachelors and master’s degrees in classical guitar, his M.A. earned studying with Pepe Romero. He’s written numerous books and articles on all our favorites, most recently Tórroba and Albeñiz.
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Episode 13 - Benjamin Woods
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There are certainly some clear parallels between flamenco and heavy metal guitar playing: the search for an ever more blindingly virtuosic technique, the attraction to complexity, their driving rhythm and aggressive edge. A highly sought after accompanist of flamenco dance and cante, Benjamin Woods is the creator of some really great fusions in this vein. On the show, Benjamin gives some insight into the arduous task of learning flamenco guitar the right way, that being in part the willingness to dedicate a decade of study to just reaching a proficiency level of OK. Hear his open-minded take on some of the more commercial flamenco acts like the Gypsy Kings and Ottmar Liebert. He also talks about his metal roots and you will hear tracks from a plethora of his projects including groups Flametal and Heavy Mellow, as well as his heavy metal classics for solo guitar. |
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So if you’re even a little bit nostalgic for the music of the nineteen-eighties or nineties, you are going to love hearing Ben’s excellent versions of music by bands like Metallica, Rainbow, Iron Maiden, some of his originals, and even a bulería based on Manuel de Falla’s Canción del Fuego Fatuo. |
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Unlike any other guitar duo I have come across, the Andreas Kapsalis and Goran Ivanovic Guitar Duo (maybe just the AKGI Duo?) have created a truly distinct sound with their blend of steel string, eight-finger tapping, and the beauty and refinement of the classical guitar. Their compositional style effortlessly blends jazz, classical, pop, and experimental musical styles, adding a heavy dose of Balkan folklore among other rhythmically complex traditions. During their All Strings Considered interview, Andreas and Goran discuss their very different backgrounds in guitar playing, they give insights into improvisation and composition, and basically made me want to go out and start up a rock band. Andreas recounts his discovery of tapping technique resulting from a serious injury to his left hand, and his experiences composing film music, while Goran tells of his classical training at the Mozarteum in Salzburg with Joaquín Clerch and Eliot Fisk, and his explorations into his musical roots in the folklore of Macedonia, Romania, Croatia, and Bulgaria. You will hear some really evocative music from their eponymous album, as well as get a sneak preview of their upcoming release titled Blackmail with “The Imposter” and the groovy 7/8-meter of “Kalkutation.” Enjoy! |
Episode 12 - Andreas Kapsalis and Goran Ivanovic Guitar Duo
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Episode 11 - Paul O'Dette
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Paul O'Dette truly needs no introduction. One of the leading figures of the early music movement, guitarist, lutenist, and conductor Paul O’Dette has performed in festivals in virtually every major city in the world, he has made over 120 recordings, among those the complete solo lute works of John Dowland, he is a professor of lute and the director of early music at the Eastman school of music, is and the artistic director of the boston early music festival. It is an absolute honor to have him appear on All Strings Considered.
On the show today we are going to hear Paul talk about his rock ‘n’ roll guitar origins, about improvisation that was happening 400 or so years before the invention of jazz, about arranging Bach for the lute and guitar, reentrant tuning, and more. You'll hear a few tracks from his recordings, on both Baroque guitar and lute, of Santiago de Murcia, Dowland, and Bach. For you flamenco guitarists out there, much of the Santiago de Murcia is actually in that 12-beat cycle (compás) that we all love so much, and you'll hear a seriously old school fandango. |
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